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Contemptus mundi, the "contempt of the world" and worldly concerns, is a theme in the intellectual life of both Classical Antiquity and of , Contemptus mundi both in its mystical vein and its ambivalence towards secular life, that figures largely in the Western world's history of ideas. In inculcating a turn of mind that would lead to a state of serenity untrammeled by distracting material appetites and feverish emotional connections, which the Greek philosophers called , it drew upon the assumptions of and a that was distrustful of deceptive and spurious appearances. In the familiar rhetorical polarity in Hellenic philosophy between the active and the contemplative life, which Christians, who expressly rejected "the World, the Flesh, and the Devil",The phrase is late (the Book of Common Prayer but the triad draws on "For all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life, is not of the Father, but is of the world." (KJV) might exemplify as the way of and the way of Mary, contemptus mundi assumed that only the contemplative life was of lasting value and the world an empty shell, a .


In classical antiquity
In the classical canon, 's Tusculanae Disputationes, essays on achieving stability of emotions, with rhetorical subjects such as "Contempt of death", was taken up definitively by in his Consolations of Philosophy, during the troubled closing phase of . The Latin tradition of dispraise of the public world adapted by Christian moralists, focused especially on the , and the evils exposed in the Latin became a mainstay of Christian penitential literature.


In the Patristic tradition
Among early Christians, Eucherius of Lyon, an aristocratic and high-ranking ecclesiastic in the fifth-century Christian Church of Gaul, wrote to his kinsman a widely read letter de contemptu mundi, an expression of the despair for the present and future of the world in its last throes. Contempt for the world provided intellectual underpinnings for the retreat into monasticism: when , of the prominent Christian family of Hispania, founded her convent, her rule written by her brother Leander of Seville explicitly cited contempt for the world: Regula sive Libellus de institutione virginum et de contemptu mundi ad Florentinam sororem.


Medieval contemptus mundi
The medieval trope of contemptus mundi, drawing upon these converging traditions, pagan philosophy and Christian ,Noted by John V. Fleming, "The best line in Ovid and the woest", in Robert G. Benson, Susan Janet Ridyard, eds. New Readings of Chaucer's Poetry, 2003:56. was fundamental to a medieval education.R. Bultot, "La Cartula et l'enseignement du mépris du monde dans les écoles et les universités médiévale", Studi Medievali ser. iii 8 (1967:787-834); Bultot's full-length study La doctrine du mépris du monde: Christianisme et valeur humaine: I. (1963) was criticised in Francesco Lazzari, "S. Pierre Damien]et le 'contemptus mundi' à propos d'un livre récent", Revue d'ascétique et de mystique 40 (1964:185-96). A classic Christian expression is Bernard of Cluny's bitter 12th-century satire De contemptu mundi, founded in a deep sense of the transitory nature of secular joys and the abiding permanency of the spiritual life. His text made one of the Auctores octo morales, the "eight moral authors" that formed the central texts of medieval pedagogy.

In the early 12th century, when Adelard of Bath (c. 1080 - 1152) allegorized two contrasting figures to dispute De eodem et diverso; they were Philosophia and Philocosmia, "love of wisdom" and the "love of the world".It is noteworthy that while Fleming's interpretation comes from his view that contemptus mundi was an embedded practice in the study of medieval literature, Bridget K. Balint in her Ordering Chaos: The Self and the Cosmos in Twelfth-Century Latin Prosimetrum (2009) argues that Adelard in fact does not despise the world per se, see p. 56. Adelard's contemporary, Henry of Huntington, in the dedicatory letter to his Historia Anglorum referred in passing to "those who taught the contempt of the world in schools".Adelard ("very elegant but also commonplace") and Henry of Huntington are both noted in Fleming 2003.

An aspect of contempt for this world reflects upon the ephemerality of all life, expressed in the literary rhetorical question of . Even as worldly a pope as Innocent III could write an essay "On the Misery of the Human Condition", De miseria humanae conditionis, which is reputed to have rendered in English, in a translation now lost. Companion. The theme had political ramifications within the Roman Church, as it was inextricably bound up with questions of apostolic povertyJan G. J. van den Eijnden discusses the controversial wealth of the Church in ' day, Poverty on the Way to God: Thomas Aquinas on evangelical poverty 1994:8 ff et passim. which was roundly condemned, in the instance of the , as .

The waning of the dominant attitude of contemptus mundi that had informed elite culture, a development that gathered impetus during the second half of the 14th century, was a precursor to the emergence of the modern secular ethos, encouraging men to study material things with greater lucidity than before, as has observed, noting the turn taken in painting and sculpture toward the realistic delineation of aspects of material life.Duby, "Preface" in A History of Private Life: II.Revelations of the Medieval World (1988:x).


Early modern culture
The theme of contemptus mundi continued to inform European poetry into the period. The Facts on File Companion to British Poetry before 1600, Volume 1 (2008) s.v. "Contemptus mundi"; the theme is the subject of Mary Evelina McSorley, The 'Contemptus mundi' motif in Elizabethan Poetry, 1946. Contemptus mundi is a running theme in the poetry of William Drummond of Hawthornden,William L. Furstenburg, Contemptus mundi in William Drummond of Hawthornden, 1964. and Burton's The Anatomy of Melancholy and the devotional verse of would serve as further examples. The recurrence of offered a concrete visitation of the frailty of this life for devotional texts, as early as .Ernest B. Gilman, Plague Writing in Early Modern England, 2009:201

Contemptus mundi has been criticized as a pastoral of fear by the historian , Parish Missions and M. B. Pranger found the trope "Speaking of God after Auschwitz" to function as a "modern form of contemptus mundi".Pranger, The Artificiality of Christianity: Essays on the Poetics of Monasticism 2003:26.


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